Reading Jill Barth’s delightful post about G. D. Vajra in Barolo made me home-away-from-home-sick for Piemonte. It’s a common experience for me, particularly when I recall the vivid image of Francesca Vaira bathed in the ethereal blue light the stained glass windows create as she describes to visitors the alchemy of fermentation that occurs in the room each autumn. Franciscan priest Fr. Costantino Ruggeri’s spectacular stained glass windows at G. D. Vajra complement the art that is the Vaira family’s wine.
To supplement Jill’s post, here are the two pages from my book, Labor of Love: Wine Family Women of Piemonte, about this example of winery art that transforms a utilitarian space into a spiritual chamber.
No visit to the Vairas’ winery is complete without a walk through the tank room, with its towering stainless steel tanks where fermentation occurs, and the 26-foot-high stained glass windows the late Catholic priest and renowned artist, Father Costantino Ruggeri (1925-2007) created for his close friends, the Vairas. The tall, narrow windows with glass of varying shades of blue and splashes of other bright colors create a spiritual feeling inside the otherwise utilitarian space. The room is bathed in an azure blue light during the day, leaving no question that spirituality, faith, and a respect for nature and its Creator dominate the philosophy of this family in all they do. Everyone who works inside the room values the natural light from outside that creates the soothing blue hue reminiscent of bluebird skies on a clear autumn day. I’m told Aldo and Milena began dreaming of the stained glass windows in 1985. When asked why they installed these precious works of art in the winery, Aldo’s answer summed up the family’s philosophy of life and work. He said, “We always felt deeply that wine is a message of beauty and we would like all details, all actions, and all spaces of our work to resonate this beauty.” Aldo said that during the harvest, when so much work is done in the room through the night, the light from inside floods the exterior area in the same blue light workers inside enjoy during the day. In a later conversation, Francesca Vaira said, “The windows show a connection between the vineyards where the grapes grow and the room where they are transformed into wine.” I love that room and visit it often, albeit usually in my mind.
A visit to G. D. Vajra in Vergne, a tiny frazione of Barolo perched above the iconic wine village, provides nourishment for the soul as well as the senses thanks in large part to Padre Costantino’s magnificant windows. Come for the wine, stay for the art.